Race To Witch Mountain (2009) | 701 MB
Before the film's version of the literal race to Witch Mountain began, I was fully engaged in the movie... for twenty minutes that is which can attributed to the charm of Dwayne Johnson. Formerly known as "The Rock," Johnson has proven that he has the ability to keep you watching as the only single entertaining aspect of the butchered Get Shorty sequel Be Cool and in some of his scene-stealing moments opposite Anne Hathaway and Steve Carell in Get Smart.
Additionally to his credit, he finally scored a hit with kids and parents alike in the familiarly plotted yet admirably refreshing Disney film The Game Plan which nicely switched up the tradition of the dividing line of gender in bonding rituals with the cute premise of a football player who discovers he has a young daughter
Essentially the movie is so busy racing to distract with effects that it doesn't bother investing a whole lot of time ensuring we're engaged in the race that soon follows when two adorably blonde teenage siblings (AnnaSophia Robb and Alexander Ludwig) mysteriously appear in the backseat of Bruno's taxi.
After a series of out of this world events and escaping government agents who want to drag the teens in as living X-Files when it becomes apparent that they're not of this planet, Bruno protects the kids in his quest to deliver them safely to Witch Mountain.
Those familiar with the original Disney '70s classics will recall that-- despite growing in popularity as years have gone by--the first Mountain tales weren't overly compelling either but the major plus they offered viewers that this one doesn't was an emphasis on story over what largely feels like a film that was purely designed as a theme park ride substitute.
Furthermore it risks headaches with an overly chaotic score that sounds as though it would've worked best as a standalone composition for Disney Hall since when placed together with the action, it provides an intense enough distraction that I was reminded of that great, illogical line from Amadeus wherein Mozart's sheet music was criticized for having "too many notes." Simply put, the music is way too insistent and moreover sounds like an audio impression of an essay punctuated solely with exclamation points that exhaust us before we've even reached the halfway mark of the movie.
Yet despite the fact that Fickman's work will definitely appeal to fans of the originals for at least one viewing to spot all of the in-jokes, references, and cameos from original stars Kim Richards and Ike Eisenmann, this update makes you realize that Race was not just part of the title but the tone for the piece.
And although with this much chaos, you may not be able to nod off due to the noise but inevitably your brain just shuts off quickly into the movie in a way that it doesn't in superior fare from the exact same studio. Nonetheless, I have to hand it to Dwayne Johnson since for at least a little bit, I was thoroughly enjoying the Vegas cab ride, until that silly race began.
Before the film's version of the literal race to Witch Mountain began, I was fully engaged in the movie... for twenty minutes that is which can attributed to the charm of Dwayne Johnson. Formerly known as "The Rock," Johnson has proven that he has the ability to keep you watching as the only single entertaining aspect of the butchered Get Shorty sequel Be Cool and in some of his scene-stealing moments opposite Anne Hathaway and Steve Carell in Get Smart.
Additionally to his credit, he finally scored a hit with kids and parents alike in the familiarly plotted yet admirably refreshing Disney film The Game Plan which nicely switched up the tradition of the dividing line of gender in bonding rituals with the cute premise of a football player who discovers he has a young daughter
Essentially the movie is so busy racing to distract with effects that it doesn't bother investing a whole lot of time ensuring we're engaged in the race that soon follows when two adorably blonde teenage siblings (AnnaSophia Robb and Alexander Ludwig) mysteriously appear in the backseat of Bruno's taxi.
After a series of out of this world events and escaping government agents who want to drag the teens in as living X-Files when it becomes apparent that they're not of this planet, Bruno protects the kids in his quest to deliver them safely to Witch Mountain.
Those familiar with the original Disney '70s classics will recall that-- despite growing in popularity as years have gone by--the first Mountain tales weren't overly compelling either but the major plus they offered viewers that this one doesn't was an emphasis on story over what largely feels like a film that was purely designed as a theme park ride substitute.
Furthermore it risks headaches with an overly chaotic score that sounds as though it would've worked best as a standalone composition for Disney Hall since when placed together with the action, it provides an intense enough distraction that I was reminded of that great, illogical line from Amadeus wherein Mozart's sheet music was criticized for having "too many notes." Simply put, the music is way too insistent and moreover sounds like an audio impression of an essay punctuated solely with exclamation points that exhaust us before we've even reached the halfway mark of the movie.
Yet despite the fact that Fickman's work will definitely appeal to fans of the originals for at least one viewing to spot all of the in-jokes, references, and cameos from original stars Kim Richards and Ike Eisenmann, this update makes you realize that Race was not just part of the title but the tone for the piece.
And although with this much chaos, you may not be able to nod off due to the noise but inevitably your brain just shuts off quickly into the movie in a way that it doesn't in superior fare from the exact same studio. Nonetheless, I have to hand it to Dwayne Johnson since for at least a little bit, I was thoroughly enjoying the Vegas cab ride, until that silly race began.
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Sambil download movies dan games tu.. bagilah sedikit komen!! TQ